Saturday, 22 May 2010

Cheesemakers return to the stage SHOCK!

It is with great pleasure and not a little hint of anticipation that I announce the return of The Cheesemakers to the live stage in 2010.

They will be appearing live on Friday 23rd July at a venue to be announced and confirmed. It is a private show on North Tyneside but band guests will be allowed entry, details to follow.

The set will include old favourites and new material and will only be the 2nd opportunity to have seen the 3-man line-up since Hesh left. More solid info here soon! :O)

Hope to see you there???

Andy

Friday, 14 May 2010

Vintage Interview & NEW 2010 News

Calling all...calling all. Being ill often makes you think of the past and now that I'm well enough to sit at a computer I've managed to find this original interview from 2001 after we had played the legendary Cellar Club in South Shields. Really odd to read something you only said once all over again. Interesting stuff though I think. Naomi was/is a nice lass, hope she's doing ok out there somewhere.

Also News In Brief - The Cheesemakers have found a new rehearsal room (shock) and are back in the swing. The plan is gigs by late summer (yes Ive said that before) but some momentum is on the boil and thats better than nowt so watch this space for further announcements. I won't bleat on about anything else 'we're gonna do' so I don't let you down again!
Also coming soon on this blog, some cracking vintage posters I've found...were you there?

If I had a picture of Naomi I'd print it so you could picture the scene but haven't, so you'll have to sketch yourself.

Anyway, the scene. In the downstairs reception area at The Cellar on the double seat next to the cloakroom, me and Naomi chew the fat....


Interview with Andy Ferguson of The Cheesemakers
27/11/01@The Cellar Club, South Shields. (c) Naomi Watters 2001

Naomi: Can you start by introducing the band?
Andy: My name's Andy, I work at Changesone as well, and we have Jim Hitler as he likes to be known on drums, Hesh on guitars, and Geoff on bass.
(At this point Danny and Neil come along and congratulate Andy on a great gig, Neil also announcing that Newcastle have won, and Andy announces this is the first football match he has missed in 15 years just to play tonight!)
N: Why are you called The Cheesemakers?
A: It comes from the film, 'Life of Brian'. At the beginning of the film, and everyone that reads this will probably know, Jesus shouts, "Blessed are the cheesemakers!", and somebody says, "What's so special about The Cheesemakers?", then somebody replies, "I don't think he ‘s just referring to the cheesemakers but to any manufacturer of dairy products". So, it's from Monty Python. Most good things are derived from Monty Python.
N: How long have The Cheesemakers been together?
A: This paticular line-up has been together for about a year or so. The Cheesemakers as such has been about five years but bass players are generally a bit, urm, flighty and moody to say the least . But this particular bass player has been about a year or so , and doesn’t have any of the aforementioned traits ! This is the best line-up.
N: How has working at Changesone helped the band?
A: Well, it's always a benefit to work for a record company, 'cos you can sign yourself, as I said at the instore, but I think that we're as good as anyone on the label, musically, you know, four guys that work everyday and then turn up and practise every week, as you've just seen, I think we're ok...and I certainly think that we do ourselves justice. And my bass player, this is the first band that he's been in, and after we played he said, "So are these groups professionals, do they do this for a living?" and I said "Yeah, they do it for a living", and so he was well impressed with himself that he had managed to do that, to go to work during the day, finish work and hammer down here - you know, we can't sit around in the pub all day and do whatever some people do, just turn up, plug in, play, we're as good as the two bands that are playing tonight, in our opinion, and I'm not frightened to say that.
N: Good for you!So, what was it like playing with The Chasers on their first unofficial gig?
A: It was good, 'cos I didn't know they were playing, apparently it was hatched whilst we were playing! I knew there was three of 'em there and they'd practised in the afternoon, and Mark joined on the afternoon and I thought that was fairly impressive that he'd managed to get up and do five or six songs after playing with them for two hours, and I thought it was great, yeah. and I think that was impressive that they managed to get up and do that. We've been together for about a year in this line-up, and we're so well-rehearsed now that we can just get up and play, whenever we are asked to - but to get up after two hours of practising is impressive, yeah.. As far as selling the CD goes , we are being dragged along on the coat tails of the bands on the label like The B-Movie Heroes, and Johnny Zhivago, and it’s excellent to be mentioned in the same breath as bands like this , even though we're as good as them! J But more and more people are getting the CD and finding out for themselves .
N: What music are The Cheesemakers listening to at the moment?
A: I listen to all kinds of music, before I came out I listened to Bob Geldofs album...I listen to all sorts, as you get older, your musical tastes broadern, and I listen to all kinds of things, right from jazz, classical up to The Clash...But the main sort of things I listen to are REM, Television, Iggy Pop...I suppose as a group interview, we're mainly inspired by the '70s punk thing - Patti Smith, Television, Iggy Pop and stuff like that. The Jam as well. I wouldn't say as a whole The Jam is a big influence musically, but I think it does come across. I suppose we do like the short two and a half minute songs like The Jam used to do. Can’t hide the obvious influences , wouldn’t want to . The Who are always an overbearing presence too .
N: In your opinion, what's the best venue that you've played so far?
A: Well I've always wanted to play at The Cellar - always! When I first started coming here 20 years ago , it was called The Chelsea Cat, it was just a nightclub then, and it's been three or four different venues in the last year or two and I've always wanted to play, because I think it's great, I think it's the right shape for a venue, like The Office - we love playing at The Office. The Cellar Club has got the right atmosphere.
N: It's got the same atmosphere as Trillians, I think.
A: It does have, I've never played at Trillians, but I've been to Trillians so I can guess what it'd be like, but I just like the idea of a stage and a semi-circle of people to play to, you never, though there's a dance floor, expect people to dance...well, Nick was there! There will be when The Chasers are on but that's to be expected, but you never expect to have people right in your face, and I've experienced that once or twice and it hasn't bothered us in the slightest. I'd have to say that The Cellar is a place I've always wanted to play and I'm proud I've played here, because of the history of the venue as well . The first 2 acts to appear here in the late 60’s were Cream and The Jimi Hendrix Experience . It’s just a shame the revolving stage isn’t here anymore .
N: What one band has most influenced The Cheesemakers style?
A: I think it was quite a half conscious thing, when the new bass player Geoff arrived about a year ago, the only sort of thing I was listening to at the time - which is also in answer to your question previously - was Television, which is a group from mid-70's New York. And that was an enormous inspiration, the song 'White Trash' is made to sound like Television, so perhaps that's the answer, but I think that things are in-built in me like The Jam, and REM, and U2 as well - 'Higher Than You' sounds like U2, it was probably meant to as well - but I think Television is the answer, certainly the coolest answer! And Iggy Pop as well, we did an Igg song tonight, but it's such an obscure song that people don't really notice, so we've turned that around to make it sound like our own song. So Iggy Pop/ Television.
N: Can you tell me about the tribute album to Television that The Cheesemakers are featured on?
A: Right, that's not a very big thing, it's just basically a Television list on the internet, in the same way of The Wildhearts, and the Antiproduct chat thing, and what's it called, the Antiproduct Peoples Rock Army...Which I should really become a member of - Sorry Alex!! It's just a Television list, and they're all fairly old guys most of 'em, but they get people to record their versions of Television or Tom Verlaine's songs There’s already one volume out which is a compilation and it's already distributed, but the best thing about it, is that it's such a small thing - there's only about 100 people on the list - but it's ran by people in New York, who know, Tom Verlaine, Richard Hell, - all the people in Television, they know Patti Smith, they know Iggy Pop...They know all of those people, ...And basically all they have to do to put this out is to play the songs to Tom Verlaine, and say, "Is this OK?", and he can let us know, because he wrote all the songs, and he's legendarily picky about what he does! And that's the greatest thing about it - that Tom Verlaine will actually hear our version, of the Tom Verlaine solo trackwe’ve done, but the greatest thing about is that it's distributed and sub-distributed and it’s very prestigious that Tom Verlaine will hear it. It's not an enormous thing commercially but it is artistically, really.
N: Can you tell me about the songs on 'The White Trash EP', and what inspired them?
A: The track that we've just been talking about is on, it's called 'Without a Word' and it's a Tom Verlaine solo track' that's on because it was recorded in the same session; thought it was good enough to put on so it’s there . The first track, 'Sheila on the bus', is a punk song , I bought the 'Punk 1, 2, 3, 4' box set, which features great stuff like The Saints - that's an Australian punk band - and The Buzzcocks etc., etc....It was all two and a half minutes, hammer it out, couple of choruses, couple of verses, hammer it out, do it, and that came from that, it's just basic chords.There’s actually a very serious message in there under what seems to be quite a silly storyline . The person who goes on the bus doesn’t really want to , then when he finds that Sheila’s ‘not there’ – metaphorically if you catch my drift – he doesn’t care because he’s tried and tried to do something . So it’s serious shit disguised as silly shit ! ' Higher Than You' is basically us sticking up for ourselves against the mindless cover drivel bands - "we're as good as you" kinda thing, it was written fairly recently, the words are things like "We're travelling at high speed, we are higher than you...", It's not...I don't mean to diss anyone - if that's a word a white person can use! But it's meant to say, we can hold our own kinda thing. 'White Trash' is fairly similar lyrically, and 'Bob Bizzare' is actually about my brother in-law, who used to be a big fan of the group I was in which was called World of Spam – who were actually a mindless cover band - , ten years ago, and he used to look like Robert Smith, and regardless of the gig or the context, he'd always come down and get absolutely pissed and just charge around on the dance floor and generally knock the PA over, and that's what it's about! So we had a setlist of about 30 songs, and they're all originals, and we were suddenly thrust into the position of having to pick four songs for the EP when I'd probably written about 300 in my days, probably 30 or 40 of which are any good, and those were the ones that happened to be best at the time.
N: What is the 'Cuban Paint' LP going to be like, and when do you expect it to be released?
A: The 'Cuban Paint' album, is something quite different from The Cheesemakers, it's myself and Hesh from the group and also Dunf from that legendary mod group The Leapers and the basic idea is, when people need somewhere to go after the pub, some go home and get the Playstation out, some people get the porn on and older people will get The Trivial Pursuit out, our crowd when we go home we get the guitars out, and we sit and play songs, and you'll just sit and play the songs until the early hours, and somebody will say, “one time we should record these songs, you know, we should do them”, and most of the time that just gets forgotten the next day and that's it. What The Cuban Paint album is going to be is the sound of that idea actually coming to fruition , and we're actually recording it, and it's basically just songs that I've written over the past few years that aren't suitable for The Cheesemakers because they're acoustic, and songs that aren't suitable for The Leapers. We've worked our way through each track and we now have a great master tape of demos for 14 songs and what's exciting now is to re-record it and get it done professionally, perhaps on the Changesone label – although I don't think so honestly, 'cos I don't think it's the kind of thing that suits the label - but do the songs justice 'cos they're great songs. It's such a great set of songs that that's what we've decided to do, and that's what it's all about, and all will become apparent next year. There’ll be a few small select gigs where people who are in the ‘in crowd’ , like yourself , will get invited for an acoustic evening with Cuban Paint …ha ha ha
N: What's the name about?
A: It's a fairly obscure thing. When you form a group you try to think of a name and you tend to write things down, what about this, what about that...the best thing's always come from thing's people say, off the cuff, and I was talking to Dunf on the phone, and the original name was Wizards Sleeve, which has already been used apparently we found out afterwards, and we were trying to plan a rehearsal that night, and I said are you gonna play tonight and he said "No, I've got to go back to work tonight" - he works at a paint factory, and he said, there's something going on at the factory and I've got to go back tonight, so I said "Oh, it's sorta like a paint crisis!", and he said I suppose it’s a ‘Cuban Paint Crisis!” So the original name for the band was Cuban Paint Crisis and then over 25 beers it sounded better as Cuban Paint! The actual title for the album was 'The Breakfast Situation', 'cos me and Dunf were on the way to practice, and we got to McDonalds drive thru and we wanted some breakfast and it was ten minutes after they'd finished so they refused to serve us breakfast, so that became the breakfast situation!
N: What upcoming gigs have you got planned?
A: We’re resting over Xmas, but we have plenty of things lined up for next year, no firm dates yet. But there will be lots of stuff and we are hopefully doing a gig with Darrell Bath to help promote his solo album which comes out on the Chanagesone label soon, also Cuban Paint are doing the aforementioned acoustic things , and hopefully more things with all of the bands on the label , 'cos we have to sell 500 CDs! We're not here to make money though, I doubt we ever will, we're just here for our own enjoyment.
N: Where can people get hold of The Cheesemakers CDs?
A: There was an album called 'It's Toasted' which was a home reocrded thing, which was ok, but it was a CD-R, and there's also 'Live in the Orifice' which was live at The Office, but those are both out of press now to be honest. The 'White Trash EP' is available from Changesone now, within about three or four weeks you'll be able to get it anywhere in the country, 'cos as the same with everything on the Changesone label it's going to be through Shell Shock distribution, if you can't just walk in anywhere in the country and buy it you'll be able to order it, and hopefully also overseas as well. I've also got a deal with a guy in a record shop in New York, he's taken some CDs in the past and so hopefully he'll take some for North America. And distribution is going really well for stuff like Antiproducts Van EP, I doubt you'll know about this but we got an order for 300 copies of that today! Hopefully in the future it will be similar for The Cheesemakers and anyone in Britian will be able to at least order The Cheesemakers CDs.
N: Finally, how can you be contacted?
A: I can be contacted at the ChangesOne shop
More release info can be found at http://www.changesone.co.uk , then onto the label page.



Thursday, 4 March 2010

SPRING ROUND THE CORNER?

Who knows? Still bloody cold here. Anyway, will be posting details of a few exciting, and maybe un-expected, projects I've been working on shortly.

For now here is a picture of a REALLY RARE Jam 12" I picked up today. Town Called Malice/Precious SPANISH 12". Cos the pics a bit crap you may not make it out straight away but the centre piece is NOT die-cut like the other editions, i.e. in the middle is an actual picture of the label rather than a hole that you see the label through, terrifically rare and would like to hear of anyone else who's got one.

I also ended my 18 year search for a copy of Above The Clouds on 45 this week so I'm a happy bunny.

More very soon

Wake Up The Nation!!!
Andy

Thursday, 31 December 2009

HAPPY NEW YEAR AND ON WE GO


Just a quick burst to say All The Best to my merry followers and friends.

Hope 2010 brings you everything you would like and need. 2009 has been quiet for musical goings on for me apart from my much lauded Words Falling On The Page album, a thousand thanks to those that have sent me their thoughts and reviews, and if you havent checked it out you can still download it for free, along with full artwork, liner notes and lyrics from the link to the left

2010 promises much though including a follow up to the above forementioned album from me, a rebirth of once saluted acoustic trio Cuban Paint, featuring legendary hanger-on Dunf and the newly Ukelele'd Hesh and The Cheesemakers? Well, we just need a place to bloody rehearse!!! Help anyone!

Many many new songs to unfold next year across all three formats, solo acoustic, trio acoustic and band, so here's hoping you're still along for the ride

Please keep checking the blog for updates on what we're up to, I expect a nice little update and maybe a recording or two to appear in January from the first fruits of the CP reunion.

So all the best for New Years Eve, drink deep and remember, always enjoy music responsibly

CheersAndy

Wednesday, 11 November 2009

Brand New Reviews just in...




After whats seems like, and actually has been, months without email/a reliable PC etc I am finally able to post these superb, very different, new reviews of 'Words Falling On The Page' from two different corners of the world. Massive thanks to folks below who took the time to read the sleeve notes, the lyrics and listen to the album properly. Read on MacDuff...


###


So as you tell in the liner notes, the recording took place at home, and we all can hear this. I don't go further on the quality, which is good, but no studio quality. So we don't have to quote this on
every track.
Cover
I don't like parents talking 'bout their kids with talent, but this time you are definitely right. As I
think these are some superb shots made by your daughter. They show a grim looking Andy in
sunlight – so I think it's the theme for the record. As you tell – you are not happy with life in
england nowadays, but I'm sure you have a lot of hope – that's the sun. So nice cover, with an
superb photo. Congratulation to your daughter, I would like to make pics on that level :-)
Songs
The Silver Torch
The album starts with a fantastic song. Great chord-structure, lovely melody. You play some
amazing guitar and I am not missing any other instrument. I love the chorus. There are all the notes, that fit the song, but nothing else. So there is space for your own thoughts. Great track!
Picture Postcard (sing but never leave) A critical text here about the new digital world and against rubbish music, composed, recorded and mixed with no passion. I totally agree with this song. The chorus is really beautiful – both text and melody. Great song, which would be perfectly suited by a complete instrumentation.
Wishing & Believing
In this song, the chord-structure characters the whole song perfectly. Grim text that comes from the heart – you can really hear it. It sounds great only with guitars, but I can imagine this as a full instrumented song – drums, bass, guitar, organ/keyboards as well. Listening to it, I can really hear the “other” version, even if it's not existing yet. So I call this your “foot of the mountain”, 'cos it's great in 2 versions – nearly acoustic and complete.
When You Close Your Door
Even if you say, that there's a grim mood again, it is clear, that you're a person with great hope.
Love melody again with a guitar-playing, perfectly fitting the song.
More To Life Than Sorrow
A nice riff, but I wouldn't have played through all the song. So it seems to me like having an idea
for a song, but don't get farther. In my opinion a good demo for a coming song. Sorry for being
honest, but you wanted me to be so ;-). Even the part in the middle, not bad at all, but for me not finished yet.
My Life Over
Great song, sounding a little bit like a Lennon-Demo round about 1965/1966 :-)
I love this song, 'cos the text is perfectly for the father-child relationship. The kids show you the
way to be young again... So this is my own interpretation of this song. Lovely text. And you're right, the feeling of the performance is just great.
You Never Win
Another favourite. I love the nice flowing feeling of the verse. And really flowing the message: you never win. Fantastic. You can see this from two positions. The one is the looser, that always groans: no matter how hard I try, I never win to a fictive third person. Or the winner, that tells the second.... love this song. And the guitar work is admirable... perfect sound for this song.
Picture Postcard (Quality Quills)
A true text, packed into a nice melody. Well, it would have been better to write this complete review with my pen on paper and send it by regular mail... but I'm grateful for not having your postal address ;-)))
But I loke this song, 'cos it's so true. No one's writing cards or letters. Just mails and sms... I really hate this sms-thing... So great song, even if it's not a big thing.... just simple, true and GREAT!!!
Brave New World
Again, as in “you never win”, there's a critical, nearly brutal text with a lovely flowing melody. The text, great and again really true shows that you're thinking 'bout the world around. And you have to be cautious to get the message. It is easy to listen to your songs and say – well, great, lovely... sound really good. But that's not the point. The point here is, that you have something to say. You're looking round and you see, there's something going wrong – just as you tell in the foreword...
Hiding in Sunsets, Trading in Tears
Again a great text with a lot of possibilities to interpret it in my own way. In your annotations you give a hint of what you mean to say... nothing more to this. A lovely performance with a lot of passion in it.
Summary
All in all, this is a fantastic little home-made album. It's hard to compare it to studio-albums, 'cos of the lack of perfect production. But I really love the songs. They show, that you are a intelligent
person, looking round and seeing, that there a many things going wrong nowadays. But you're not going to hide, you tell with a lot of hope, that there is a light at the end of every tunnel... you just have to go in the right direction. As I told in the beginning, it is stupid to talk about the sound, knowing that it was made at home. But one thing... a little bit different guitar-sound would be fantastic. The older songs are great, 'cos the sound was a little different, so it's not going to be a boring sound.... why not trying some acoustic-guitar with pick-ups? But that's my opinion.
Well to be honest. I'm glad I did the download, and I'm glad to have listened to this album. I'm also glad to have contacted you. It would be easier for me to write in german, but that would be no help for you. So I hope you understand my english and there are not too many mistakes in it ;-)
Have a nice day
Peace & Love
Wolfram Jaschke, Germany


###


There's a sense in which the common complaint about a lack of authenticity in music misses the point. Pop music can be glorious fun whether or not the artists wrote the songs, played the instruments, or whatever. Anyone who denies this is a lemon-sucking grump. On the other hand, there's a sense in which the complaint hits the point. Fun though pop is, there's something intrinsically valuable about music that articulates a clear artistic vision, a vision that belongs wholly to one person or group.

The complaint is, then, that the modern music industry tends to deprive us of such music by ensuring that every act it promotes appeals as much as possible to the mass mid-market, or to some carefully selected demographic, at the expense of allowing the artist to really express themselves. This tendency explains why it's so refreshing to hear records like Words Falling on the Page. Just from the cover photos, it's apparent that Andy isn't oblivious to his image. But you know that the carefully chosen objects with which he appears have been chosen by because they express something he wants to say, not because they might say something to a target audience. The heartfelt, detailed liner notes make it clear that this record is a deeply personal endeavour. We really are getting one man's music, his take on things he cares about, played and produced just how he wants it to be.

So let's talk about what that vision is. From the notes, you might expect to hear an angry, despairing record. And certainly, the mood isn't positive. But the album strikes me as something both less and more than angry. It's less than angry, in that the mood is more mild; resignation, sadness, futility perhaps. The world, as Andy sees it, is in a pretty bad way, and there's not much to be done about it. There's occasional rays of hope and sunshine, and nostalgia can provide an escape, but all in all, “today it's the brainless, thoughtless and gormless” who run things.

It's more than angry, though, because anger is a simple emotion, and its expression slips over into parody too easily. Instead, Andy spins us a nuanced, complex, fragile web of affect and feeling, one that is much easier to be drawn into and sympathise with than some string of crude fuck-the-world songs. It's understated; an elegy, not a requiem. It's undoubtedly authentic; it's authentically human. We get a genuine portrait of the artist, in the whole and in the round.

Still, authenticity's all very well, but it doesn't matter if the music is rubbish. Thankfully, it's not. Nothing's perfect here; Andy misses notes occasionally, once or twice the recording becomes raw and a little roughshod. But the record, in part, is about the world's imperfections, and it would be incongruous were that theme conveyed by perfectly glossed guitars and faultless vocals. Instead, the record is as accomplished as it needs to be, and no more than it should be. There's a perfect match between the themes and their expression. The melodies and their underscoring are delicate, ethereal, and in a way insubstantial. but several of them stick in your head, repeating as fragments. Again, this matches the mood; the feelings expressed are hard to pin down, evanescent, and yet the overall effect is lasting and engrossing.

The main strength of Andy's songs is his lyrics. He employs a vocabulary that's broader and more expressive than the standard rhyming-dictionary palette, without straying too far in the other direction of ostentation and pretension. He manages to be evocative of both particular times and places, and at the same time of more abstract moods and atmospheres. Rather than try to nail a subject or a feeling with a single line, he lets each song gradually unfold, in a voice that, again, is is surprisingly delicate, vulnerable, tremulous at times.

I've not said anything so far about individual songs, and in a way I don't want to. The moods and themes of the album are expressed by its whole, and singling out one tune or another detracts from the sense of the whole. But the melody of the opening track, The Silver Torch, is a perfect example of those haunting phrases of music that Andy does well. Picture Postcard (Quality Quills) evokes, in the same song, nostalgia, regret, specific sentiments, general ones, and a final twist of hope that maybe, it might be OK after all. Its counterpart, Picture Postcard (Sing But Never Leave) is both a heartfelt complaint and a defiant celebration. You Never Win is perhaps the closest the album comes to simple, outright despair, but it's tempered by the preceding two songs, which express, in a quiet way, thankfulness for what Andy has and hope that there's more good to come.

It would be stupid to exaggerate; this album is not revolutionary. It has antecedents, lyrically, melodically, and thematically, that Andy himself acknowledges. But it is, genuinely, an authentic record, and one that achieves a neat fit of mood, music, and lyric. Finally, perhaps most importantly and impressively, it's a brave and honest record. Andy has given us an eloquent and open picture of how he feels and what he thinks, and the experience of finding out is richly rewarding.


Nick Wiltsher, Miami, Florida

Saturday, 1 August 2009

Back back back


Hi all, I'm back from two superb holidays in Northumberland and Norfolk, maybe next time I'll move onto another letter. nb - I once was a quizmaster at a pub at there was a team there called Norfolk & Chance, took me months to figure it out, but I was reminded of this last week.

Anyway just wanted to drop these thoughts into the ether or whatever it's called these days, just spent a week with family and a few songs came to fruition as the manor house (no shit) I was staying at had a resident guitar and I just couldn't help myself and maybe the themes are about love and peace (not in a hippy sense, more seperately, peace in a quiet sense rather than war and that) and serenity so perhaps the next album is finding a direction already, one song has a title and that is "Whoever, Wherever, Whenever". Your comments so far are inspiring me to begin work on another record almost immediately.

Anyways, trying to settle back into mundane, terrible regular life so ciao for now lovers

Andy

Sunday, 12 July 2009

First words slipping in

The first few tentative words about the album are filtering in from the world, and I'm overjoyed to see that people really taking their time with it and giving it the time of day and here are a few snippets:

"...digesting...notes to follow..." Guru Greeny, Somewhere out There

"on the same lines as Greeny,after reading the notes, instructions etc i thought F*** it! its a bloody good album - I'm going to listen and enjoy it for a while rather than study it like homework. i'll hand in my essay b4 the end of term though. Promise! i'm onto my 3rd full listen of the album. I'm more into melodies than lyrics which is what puts me off a lot of acoustic stuff but i should have known better. you always have a decent tune!!" Dodgy Gary, UK

"Due to some technical problems, I have only been able to listen to the album at low volume at the office.
Here are my first impressions...
I do like the album as a whole. I fear that this will sound like a cliche: this album feels more honest and true to Andy as an artist. As a member of The Cheesemakers, Andy writes good tunes. His lyrics usually feature clever wordplay and tell stories. And I enjoy that. When I listen to the solo piece, I feel that Andy has created songs about things that are personal to him. I have not had a chance to see the lyrics so this may be off-base. Having said that, the feel of the songs seems to convey that to me.

As Andy Cheesemaker, he is the frontman/performer/entertainer. As Andy Ferguson, he is the artist
." JR Remke, Chicago, USofA

"My review will be a very very cautious one, Need to have all my senses on the record, you know what I mean! I need to be in the right mood. Can’t listen it once in my car and make a review." Yann Viseur, France

(Check out Yann's wondrous Blog here - http://musiccornershop.blogspot.com/ )

It should be noted at this point that there is no-one out there whom has put more effort into promoting this album than Yann, and for no other reason than he likes the album and wants to help! It just helps a little to restore ones faith in human nature, I think. Yann and his Blog is Magnifique!

"Shite! Never liked him" Hesh, The Boldons, UK


So some tentative words here but I'm looking forward to the floods of detailed and extensive reviews that will no doubt be piling in this week :o)

Cheers me luvs

Andy

Ps - Go see Quadrophenia the new stage play when you get a chance, caught it last night at Sunderland Empire and was superb